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Cornelis Schut III : ウィキペディア英語版 | Cornelis Schut III Cornelio Schut or Cornelis Schut III (alternative names: Cornelis Escut III, Cornelis Scut III, Cornelio Schut el Mozo, Cornelio Schut el joven) (c. 1629 – 1685) was a Flemish painter who was active in Seville, Spain during his entire career. He was one of the leading Flemish painters working at that time in Seville and he was very close in style to Murillo.〔(José Luis Requena Bravo de Laguna, ''Una nueva Inmaculada de Cornelis Schut'' ), in: Laboratorio de Arte: Revista del Departamento de Historia del Arte, ISSN 1130-5762, n. 18, 2005, p. 221-228 〕 ==Life==
He was born in Antwerp and trained with his uncle, the prominent Antwerp painter Cornelis Schut. He travelled to Seville with his father who was employed by the Spanish king as an engineer. He is first documented in Seville in 1653 and the next year he was admitted to the local painters’ guild. He moved in the circle of the Flemish sculptor José de Arce and married de sister of the wife of de Arce. The couple would have two daughters. With the support of de Arce he was able to find commissions and in 1655 he had his first pupil in his workshop. He had more pupils, many of whom such as Manual Gallardo, José Lopez Chico and Juan Antonop Lopes would dedicate themselves to the polychroming of retables. Schut’s workshop completed commissions for his brother-in-law de Arce to polychrome his sculptures.〔Lorenzo Alonso de la Sierra and Fernando Quiles, ''Nuevas Obras de Cornelio Schut el Joven'', in: Norba-Arte XVIII-XIX (1998-1999), p 83-105 〕 Schut was one of the founders of the Academy of Fine Arts of Seville in 1660 where he became a teacher of drawing. He was elected a president of the Academy in 1672. Murillo and Francisco Herrera the Younger were the joint presidents. He was reelected four years later. He was one of the most generous contributors to the Academy, often paying out of his own pocket the salary of art models and offering prizes to pupils.〔Carolina Abadía Flores, ''Los flamencos en Sevilla en los siglos XVI – XVII. '', Master thesis, University of Gent, 2007, p. 48 〕 He maintained close relationships with the artistic community in Seville as well as with the Flemish and Dutch merchants in the city. He died in Seville in 1685. Despite his successful career he died as a pauper since the illness that led to his death had been painful and its treatment costly.〔
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